A Great Drummer and a Real Mensch!

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Ed Shaughnessy, left, performing with Buddy Rich in 1978.
By PETER KEEPNEWS
Published: May 26, 2013

ED SHAUGHNESSY, ‘TONIGHT’ DRUMMER, DEAD AT 84

The New York Times reports:

Ed Shaughnessy, whose deft drumming anchored the “Tonight Show” orchestra for 29 years, died on Friday at his home in Calabasas, Calif. He was 84.

The cause was a heart attack, said his son Dan.

Mr. Shaughnessy was a well-traveled and highly regarded jazz drummer when he was offered the “Tonight” job in 1963, shortly after Johnny Carson had taken over as the show’s host. He had performed or recorded with Benny Goodman, Count Basie, Duke Ellington, Charles Mingus, Billie Holiday and numerous others. He had also worked for four years as a staff musician at CBS Television, and, remembering the tedium of that studio job, he was not sure he wanted another.

He agreed to take the “Tonight” gig for two weeks and see how he liked it. “When I got up there,” he recalled in a 2004 interview for the Percussive Arts Society, “and Doc Severinsen was the lead trumpet player, Clark Terry was sitting next to me in the jazz trumpet chair, and there were all these great players, I said, ‘My God, this is not your ordinary studio situation.’ ”

Mr. Shaughnessy took the job and never left. He remained when Mr. Severinsen replaced Skitch Henderson as the bandleader in 1967 and when “The Tonight Show” moved from New York City to Burbank, Calif., in 1972. When Jay Leno became the host in 1992 and brought in his own band, Mr. Severinsen kept his ensemble together for concert appearances, with Mr. Shaughnessy still in the drum chair.

http://www.nytimes.com/2013/05/27/arts/music/ed-shaughnessy-tonight-drummer-dead-at-84.html

Here We Go Again: “tasteless and not legitamate”

http://www.telegraph.co.uk/news/worldnews/europe/germany/10046415/Nazi-themed-Wagner-opera-cancelled-in-Germany-after-audience-treated-for-shock.html

Here We Go Again: “tasteless and not legitamate”

Nazi-themed Wagner opera cancelled in Germany after audience treated for shock!

A Nazi-themed production of the Wagner opera Tannhauser, which featured scenes of gas chambers and the execution of a family, has been cancelled after audience members had to receive medical treatment for shock.

The Deutsche Oper am Rhein, a leading German opera house that performs in Düsseldorf, said it could not justify artistic work with such an “extreme impact”.

The opera house said it had asked director Burkhard Kosminski to tone down scenes but he had refused. From Thursday onwards, the opera will be performed solely as a piece of music, without the staging, the opera house said.

At the opening of the Düsseldorf performance, performers could be seen inside glass chambers, falling to the floor as white fog flowed. The performance showed a family having their heads shaved and then being shot.

My question is: when the cast was rehearsing this, didn’t even one think that this was a bit over the top or was everyone just “following orders.”

Kosminski wouldn’t “tone it down” because of artistic reasons; really artistic? Rape, suicide, gas chambers; this is art? Maybe he needs a little history lesson about the 6 million. Maybe he just forgot!

I fault the management of the Deutsche Oper, the music director, the “artistic” director, and the cast for their insensitivity and their incredible stupidity for mounting such an obscene production.

Tannhauser-2_2558294b

How To Pick Your Next Music Director

82304-050-242D7462 19th Century “eye-candy”

From a recent online review of a candidate’s orchestra concert/audition-

“From his physical presence to his conducting style to the little flourish he makes with his bows, (he) personifies elegance. (My friend) advised me to mention the “eye-candy” factor. Yes, he’s got film-star good looks and stage presence.”

Don’t be surprised to see in the near future: To apply for this vacancy, you must have the following: A photo of your beautiful self that says “eye-candy!”- foreign sounding name helpful.

That’s about it: CV, press reviews, recommendations, references, CDs, years of experience all are optional.

Are we coming to that? A beauty contest for conductors? And you wonder why Orchestras in this country are struggling. Maybe conductors should start tossing little hankies like Liszt did.

                                                   

Lovely story about my daughter and “her

Lovely story about my daughter and “her gift” of music via The News Leader Feb 25, 2013 http://ow.ly/i4yCG http://ow.ly/i/1AxWM

Had a great time on The Alan Frankel Sho

Had a great time on The Alan Frankel Show this week! If you have some time, listen to the interview (January 14th) http://bit.ly/VbD2mm

Aging of the Orchestra Audience and the Fallacy of “Demographic Destiny”

Jon Silpayamanant - โจนาทาน ศิลปยามานันท์'s avatarMae Mai

In a February 2011 NEA Research Report, “Age and Arts Participation: A Case against Demographic Destiny” by Mark J. Stern, we find a refutation of the so-called dire data that is what the author is calling the “Demographic Destiny” of the graying of arts audience.  The description from the link to the reports above:

Mark Stern, University of Pennsylvania, analyzes the relationship between age and arts participation in the Survey of Public Participation in the Arts data for 1982, 1992, 2002, and 2008. The report concludes that age and year of birth are poor predictors of arts participation and that the age distribution of art-goers now generally mirrors that of the U.S. adult population.

Which is pretty much both Matthew Guerrieri and I surmised given a more nuanced look at the data.  Basically, the aging audiences is simply a function of Demographic Evolution rather than Demographic Destiny.

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